Teri Gross, interviewing a young female actor/writer/director tonight on Fresh Air, had an uncomfortable dialog concerning male role-models that have now been revealed as sexual predators. The discussion focused on the challenges of not saying “the wrong thing,” with “the wrong thing” never being elucidated. Presumably it would be something that could be interpreted as hateful of men in general, or dismissing the human depth and value of the work of some of the men involved, or frightful to men that they might want to work with on future projects.
So they preferred to say nothing.
This contrasted with the All Things Considered interview of women from lineage of three generations that have worked in Hollywood since 1960. They spoke frankly about the problem of sexual harassment and what it takes to avoid degradation. They had direct experience, and so had a specific human story to tell.
In both contexts, their attraction to Hollywood was explained as a reaching for the opportunity to create dreams. Remember that these are successful creators, so they have not hit the wall that causes most workers to hate their jobs after they turn forty. That wall is the gate that narrows when the cost of providing opportunities to all qualified people exceeds the available resources. When opportunities for professional growth thin out, what characterizes those that stay the course?
I would hazard that it’s not just the opportunity to create dreams for others, it’s the link between their work and the expression of their own fantasies. The more powerful those fantasies are, the greater the commitment to their craft.
Perhaps the most disturbing experience I have had in church is being told by a pastor that I was not welcome because when I meditated on the cross, everybody in the congregation felt that they were being sexually harassed. To love someone is to affirm their personality – and if they find more joy in sex than in compassion, they will channel the energy that way.
Couple this to the desire of a director or producer to associate and control beautiful people – the people that we love to watch on the screen – and the adoration that we tender to our media figures is going to amplify their worst habits. The more we adore them, the worse their conduct will become.
The problem is related to the problem Jesus faced with his disciples. The disciples believed that they needed Jesus to tell them what to do, just as consumers of entertainment believe that they need someone to give them dreams. Jesus complained of the “little faith” of his followers because they didn’t believe in themselves. He died, was buried, rose and ascended to convince them that they should cast off their doubts and love others.
Rather than fixing our gaze on that story – the true and heroic testimony of the redeeming power available to all that choose to love – we choose to fill our dreams with fantasies that can’t possibly be made true. In seeking to entertain, Hollywood doesn’t create dreams, it creates illusions. Those that suckle on its teat shouldn’t be surprised when those illusions are pierced, unmasking the self-serving motives of all those that peddle illusion – and exemplified by those that have clawed their way to the top.
Our government is also riven by corruption – politicians don’t have the power to solve our problems, so they peddle illusions. And we are disappointed in our relationships, because we operate under the illusion that someone else can change our soul when that is work that only we can do in collaboration with God.
We’re not going to end exploitation by shaming people, or throwing them in jail. There will always be replacements. We’re only going to solve the problem by recognizing illusionists when they appear in our lives, and putting them off with “That’s all very nice, Donald, but I need to pray for a friend before I go visit them.”