It has been fifteen years since I have let a women caress my body. That hasn’t been for lack of opportunities, but after my marriage collapsed, I realized that I am constructed to engage problems that most people run from, and that the spiritual intimacy of intercourse made it impossible for my ex-wife to avoid entanglement. Her response was to use anger as a protective shield. That was disastrously painful to my spiritual intimates.

So I’ve been very careful and reticent about drawing someone else into that milieu.

Dance is the foremost expression of my entanglements, and the context in which women most often flirt with involvement. Having confronted the surrender of the Southern California sage to drought back at the turn of the millennium, I found myself repeating this flow again and again during the celebrations: standing with legs spread apart, I would position my hands over my heart, and lean to one side in a lunge, pushing energy down into the ground. The repetitions alternated from side to side, until a deep yearning would bring me to my knees. Scooping up the suffering spirits from the floor, I would raise them to the heavens, weeping.

I was greatly heartened by the identification Jamie Grace made with Persephone, but even she wanted me to lay my burdens aside. One day as I was dancing alone, I felt her looking into me as she rested against the wall, urging me to liberate myself into joy. An enormous pressure forced me to the floor, and, crawling and squirming, I tried to work my way out from under it. As I spread my awareness, I realized that the source was a spiritual membrane that encircled the globe. There was no escape except through the violence of birth.

The only woman to actually engage me in my dance of restoration was innocent of the consequences. I felt her standing in front of my as I bowed to the ground, and opened my eyes to find her lifting along with me. Surprised, I stood and put her hand over mine as I reached out into the world, thinking “Guide me.” She hesitated but did not run, so I took the world out of my heart and handed it to her. Her face broke in sorrow and fear. I tried to put it away as she fled into the arms of one of the elder ladies. I approached from behind to caress her heart, but she turned a shoulder to me. Realizing that she could not manage the burden she had accepted, I sat on the floor, cupped the pair of women in my hand, then raised my fingers and slowly rotated them to separate her from the moment that had overwhelmed her. Her features relaxed, and she settled more deeply into her comforter’s embrace.

I had a friend tell me that I lost Jamie Grace because I rejected her, but I didn’t see it that way. Every time she came into the room, my heart leapt to embrace her, and she would stop in the doorway and look away, silently begging me to come to her. Eventually we would work our way around to it, but she never let me dance with her again. Perhaps that was because I would dance first with other women, those other manifestations of Life’s thirst for healing. Perhaps she didn’t see in them what I did. The closest we came, until the last day two years ago, was when I stopped, took her hand, and placed her palm on my heart. She paused, then took it away and positioned it more directly into the flow that emanates from me there. But when I turned around to expand our expression to include the community that surrounded us, she became visibly angry. Given past experience, I was compelled to withdraw.

Without anyone to help me channel my creative energies (the second chakra being that source), I am wide open to women that seek to engage that energy in its most primitive procreative expression. I occasionally engage in visualization with those that I perceive have a deep connection to Earth: walking in the forest, and stopping on the shadowed crest of a bluff to rest with her legs over my shoulders, my head on her belly, my mind spreading into the earth through her womb. Or lying naked on the bed as she brings her yoni down on my heart, allowing its compassionate power to rise into the heavens and spread.

But the frequency with which someone breaks through and gets into me sexually has dropped steadily over the years. I am building up resistance, establishing barriers. The great sex-scene in Golem will be read by many as the fevered production of a frustrated old man, but in fact it was my way of saying good-bye to sex – of allowing it to wash over me one more time before putting it aside.

There are spiritually mature woman that I find occasionally looking in on me. Not long after writing that passage in Golem, I woke one night to some really passionate yearnings. They just wouldn’t go away, and one of my friends showed up in concern. The source of the desire wasn’t apparent, and in frustration she announced to me, “Maybe you’d better just give her what she wants.” As I blissed, I found myself floating in space billions of years ago, regarding the gathering nebular gas as it ignited and give birth to the Sun.

Are we here because it was possible for the infinite she to receive love from us?