Neal Crosbie tries not to take himself too seriously. I am an irritation, then, in that I see things revealed in his work that reflect the struggle to bring love into the world.
Which I take very seriously.
The challenge is to moderate our natural instincts, with the cerebral cortex being the tool that brings discipline. It’s a struggle because our bodies are designed to enjoy animalistic behavior. It’s a war because the spirits that preceded us don’t want to cede the stage of evolution to us.
And why should they? Evolution is about competition, and they serve a purpose is resisting our rise to dominance.
In the Native American tradition, the coyote is the most pitiful of the animal gods, getting his way only by tricking his betters. Trickery is a way of transforming situations, and so through his weakness, eventually coyote becomes the most influential of the gods.
As climate change withers the ecosystem that supported them, how is this supposed to happen? Animal gods have fewer bodies to manipulate, and so less means for reorganizing spirit.
A possible answer was proposed in some of Neal’s recent work. Compelled by a dream, I bought this one two weeks ago (sorry for this drab image; the color is vivid in the original):
What struck me is the shadowing of Coyoteman’s color fields in the abstract construct on the right. I read this as a soul shadow. In this image, the color sprays emanate most obviously from the soul shadow. It’s not clear whether they are being assimilated, projected or expelled. That a transformation is being undertaken is suggested more strongly by the two elements on the right: the Buddhist circle of completion and the “greater vehicle” of Mahayana practice.
In conversation on Sunday, Neal explained that he is completely worn out upon returning home from the Art Walk. He has many deep conversations, his booth and eclectic art serving as a magnet. His joy is infectious. When I tried to suggest that he was engaged in spiritual service, he became hostile – and more so when I illustrated my point with Christian scripture.
But trickery is amusing. It provides us a release from tragedy. Contrast this with Siddhartha, who sought to conquer pain through asceticism. What’s the attraction in self renunciation? Joy has qualities that make it the more potent tool to achieve non-attachment
.I see this, then, as coyote’s essential contribution: through absurdity to guide us away from suffering into the harbor of joy. While the construction of that harbor is a weighty matter, I wouldn’t denigrate the guide. In fact, I wouldn’t want more to serve for any purpose than to shelter the spirits he inspires – not least because they inspire by their creativity.
Is Neal’s art then a method for implementing coyote’s transformation? I believe so.