Stopping the Violence

The exhausted pleas of the Mayor of Kansas City touched me deeply today. Decrying the shooting death of a one-year-old child, he observed that our city officials can’t be everywhere at once, and exhorted all of us to stand up against violence. As a policy prescription, that translates to instituting restrictions on gun access.

It is true that ready access to firearms inflates violent death. Emotional shock or dehumanizing abuse can create a driving urge to remove the source of our pain. When a gun is at hand and familiar to the touch, it represents an immediate solution. But equally true is that a strong person does not employ that solution unless life is under threat.

The problem is that people are becoming weaker, not stronger. This is obvious in the comments on conservative bulletin boards. A steady theme is that the average American is not valued by the social elite, whether political or business leaders. Looking at the decline of the middle class, it is hard to argue with them. We suffer from the naivete of politicians that believed that the war on drugs could be won through incarceration, or that growth would stimulate China to liberalize its economy. And we suffer from the greed of business leaders that lobby to hold down wages and weaken environmental and public health regulations, often using the threat of Chinese competition as a rationale.

A recent study on sexism and racism on gaming sites reveals the social dynamics of the downward slide. What the researchers discovered is that the most successful gamers are nice to everybody – it’s those that struggle that hurl abuse. That abuse is reserved for new entrants to the competition – the skill of winners is widely admired. The abuse is directed at those trying to enter the community and acquire skills. It’s a means of keeping down direct competition.

I think that this is an important aspect of America’s perverse love affair with guns. They provide a false sense of security to those that bear them. They allow the dispatch of the physical intruder that comes to take our property or our jobs, while the elite collects credit card interest every month, drives up working hours and pushes mortgages into default.

But the love affair doesn’t end there. Our over-sized military and jails are social support systems, providing for the basic needs of large cohorts of our society while incubating violence. Our media appeals to our primitive psychological urges with the portrayal of life-threatening circumstances visited upon sexually attractive people whose mastery of physical violence produces victory. And our sports heroes become ever more powerful and intimidating in their performances, to the point that no padding can protect them from long-term disability, and so we simply throw them into the arena without covering for anything except their genitals.

This sounds terribly gloomy, but the celebration of brute physical power above strength of mind and character has a silver lining. It makes those that struggle against violence all the more powerful.

It’s hard to explain until you’ve actually experienced it (though I try in Ma and Golem). It’s to be stalked by a mountain lion in the moonlight, and to calmly escape it from ten feet after freezing it with the mental command, “Go eat something that can’t talk.” It’s to react to the men squared off over a woman in a night club – not by screaming “take it outside” – but by sucking the violence out of the air to the point that the one that threw a punch actually fell over on the floor, reporting later that “I just got all weak all of a sudden.”

But it’s also to give of our selves. It was the CEO of FMC who, having planned a series of acquisitions that created a vertically integrated company without redundancies, offered to the employees of a small, struggling subsidiary that he had “felt your pain.” It is to look the homeless in the eye, validating them as people. It is to tutor in a school for children that walk mean streets every night to homes that may not contain food to fill their stomachs.

It is to let people in fear know that “Yes, this is what it is to be loved.” Once they know, the short-term thrills of adrenaline and lust just don’t have the same attraction.

And more: through an encounter with a disciplined mind and compassionate heart, the promises of our religious avatars become obvious truths. The overwhelming power of those instruments has no material support – they are what they are only because an infinite source of unconditional love enters the world through them. It is through this knowledge that the long-suffering find patience that blossoms into enduring hope. In that endurance and strength, the threat of violence loses the last of its power.

Evening Out

I’ve found two low-key venues to hear live music in the Conejo Valley area this year. One is actually over the hill (now don’t take that the wrong way) in Malibu – Ollie’s Duck and Dive. The setting is a little cramped: they lock the front door and stand the band up in the entry. The place is aptly name – long and narrow, with the front dominated by the bar, and most of the dinner seating actually in the enclosed patio outside. But on Saturday night the four-piece bands bring people in, and there’s a collection of steady regulars. The music is eclectic, and often loud, and dance-worthy even though they don’t play much in the way of cover music.

And – what can I say? – it’s Malibu. The people are classy, and beautiful in a self-conscious kind of way. If you sit at the bar, be sure and strike up a conversation with the tenders. They’re all good people.

The other venue is The Twisted Oak in Agoura Hills. The place has a checkered history, starting off as Moz Buddha Bar back around 2000. It was a hot pick-up joint for a while, with beautiful waitresses that would dance on the bar during the seasonal parties. The cover bands that came in drew great crowds, and the dance floor was always hopping. Unfortunately, the lead guy behind the bar seemed to have connections back in New Jersey, and the girls sometimes had morals that were a little shaky. When the joint stopped being trendy in 2005, they started Tuesday night jazz with small combos. While I wouldn’t miss it, the cultured music scene never took off.

The place was revived as a micro brewery and music club with a new investor. Roger is a great guy, and loves his brewing – everything from beer to smooth moonshine to wine. He also loves music, but it’s the dinner scene that pays the bills, and the bands on the large stage seemed to interfere with gatherings. So they knocked down the stage, opened up the bar with seating on both sides, and do something pretty much like what Ollie’s does: stand a couple of guys up in front of the brew vats. The music is eclectic, original, and really, really heart-felt. I can party at Ollie’s, but some of what goes on at The Twisted Oak can only be classified as a spiritual experience. If you want to take someone out for a light-hearted date, this is the spot on Friday nights.

Tonight they had a steel guitar and fiddle duo called Skin and Bones. While they packed up, I bought a CD out of the case, and Taylor came up to chat. Just a really classy young man with his lady-friend Stephanie. He let me rattle on about my sons, and took my compliments graciously before recommending that I come back out on September 11th to hear a couple of his friends play. I certainly look forward to it.

The Second Coming of Donald

Common interpretation of Revelation 11:15 is that the reign of Christ begins when Gabriel sounds his horn. Now I offer an alternative interpretation of the verse in The Soul Comes First as heralding the beginning of the age of Humanity who will bring redemption to the Earth through the intelligent exercise of divine love.

But you, know, scripture is inscrutable, and I’m beginning to realize that maybe we’ve all misunderstood.

Gabriel is known as the angel that transmits God’s truth. FOX news broadcasts “God’s truth.” A trumpet is a kind of horn. In the first Republican debate on FOX news, we saw nine Trump-ettes on the stage with Donald.

Hallelujah! Praise the Lord! Jesus will be outed by the FOXing of Donald!

Of course, NBC will carry the coverage. Looks like FOX out-foxed itself.

LA Day of Dance Celebration

As a special birthday bonus, yesterday I attended the Day of Dance celebration down in at the Civic Arts Center in LA.

I came planning to participate in the workshops, and managed to make it through the “warm-up” routine, but it was hot, hot, hot. The performers were up on a covered stage, and they were complaining. The crowd had only an artsy fabric shade cover, and only about a third were able to take advantage of its shelter.

So I quickly found myself standing in the shadows at the front of the Music Center. As for the rest – they were not about to be deterred. LA apparently has a growing dance movement. Many of the attendees were young people and their parents. The early workshops focused on dance routines that had been posted on the internet, and the personal flair in each interpretation was a joy to watch.

I was expecting to have fun and be inspired, but dance is an ancient practice. As the event rolled into the second routine, the fitful breeze wasn’t keeping me cool, even in the shadows. My thoughts wandered up into the heat. Answering back came a surprised gratitude, and then a deep sorrow. People have always danced this way, in celebration of the light. It didn’t want to oppress them. The sorrow spread, and began to encompass the flora and fauna. This wasn’t the way it was meant to be.

The early morning activities were meant to be accessible. There wasn’t anything done by the performers that I didn’t think that I could do myself, and the attendees were involved in an enthusiastic celebration. I finally broke away at 12:30 for lunch, and when I came back, the tone became a little more serious. The Australian Special Olympics dance team performed, and the music and movement conveyed clearly the struggle and pride they have in achieving independence. But the capstone of the event, for me, was the performance by the Jacob Jones Company. The accompaniment was a meditation of the nature of time. I found myself anchored in this nexus of energy, the celebration of the dance tying the past together with the future. When the dancers left the stage, I had the feeling that the audience had been reduced to humble awe by the power of their evocation.

The Civic Arts Center is conducting a series of Friday dance celebrations this summer. I plan on attending as I am able. For those of you in LA: Hope to encounter you there!

California Seeks New Answers in Drought Struggle

Governor “Moonbeam” Brown announced that he would tap the skills of former Governor Davis to lead the state’s drought initiatives. Waiting at the State Capitol for an Uber connection, Brown enthused that the state needed a “Gray Water Czar.”

This blogger has obtained papers outlining the nascent strategy. In a “farms for schools” swap, teachers unions have agreed to convince students to shave their heads. The schools would be credited with 15 gallons of water per bald student per day, reflecting both the water saved in the shower and the decreased chemical load on treatment facilities. These credits would be traded on a state-wide water exchange to raise money for education.

Davis and his advisors, observing the success of the California Raisins and Dairy Cow marketing campaigns, have licensed the “Cabbage Patch Kids” trademark and reserved the #BaldEagles hashtag for shaming of non-participants. Recognizing that more extreme measures may be necessary if the drought conditions prevail as the children age, the Czar’s office has entered into negotiations for the rights to the “Arid Extra Dry” trademark and is planning to register “Seche Pistols.”

In related news, in the St. Louis area, former energy traders have pooled their resources to fund a water exchange. In honor of the profit potential created by California’s two most famous governors – one famously libertarian and the other famously forward-thinking – the concern will be called “MoRon.”

Jon-Rolled

When I first put The Soul Comes First in front of readers, one was a young Jew working in the coffee shop at Barnes and Noble. I began summarizing the book, and got as far as Moses before he broke in to challenge, “Yeah, well, I’ve concluded that no Bronze Age religion has anything to offer us in the 21st century.”

A couple of months later, he agreed to read the book (it’s only 70 pages or so), and came up to testify:

This is the only thing I’ve read that makes sense of the Bible.

So my jaw fell open when, following an advertisement from the Freedom for Religion Foundation, Jon Stewart introduced a satirical skit on Christianity by saying “I can do this because, as a Jew, my religion is thousands of years older than yours.”

An appropriate comment, because in the entire skit, the only serious criticism of Christianity was a reference in Exodus to ownership of slaves. Argh! Christ promised to fulfill the law, which means that the old contract with God was concluded, and a new one begun. The covenant of Christ supersedes the Covenant of Moses, and it says simply:

‘Love the Lord your God with all your heart and with all your soul and with all your mind.’ This is the first and greatest commandment. And the second is like it: ‘Love your neighbor as yourself.’

As for the Freedom from Religion Foundation, the ad draws upon the authority of the Founders, many of whom drew their moral and ethical philosophy from Jesus, which includes:

Render unto Caesar those things that are Caesar’s.

I find satire to be a lot funnier it is rooted in understanding of the basic tenets of the culture. So, if the FFRF and Jon Stewart show really want to have an impact on Christian fundamentalism, they could try teaching Christianity while making fun of the way it’s presented to society. As they have succeeded so well in attacking the political hogwash served up by the elitist, libertarian right, that might actually get Christians to recognize and challenge false teaching.

As it was done, they merely come off as tediously shallow.

Dawn of the Soul

Midi Berry’s newly published Nights of the Road examines the mystical power of feminine devotion. The nominal protagonist of the tale is Sarah, a British refugee from bad relationship mojo, taking up a life as a psychotherapist in Los Angeles. The power driving her spiritual awakening, however, arises from the 17th century, where her ancestor Frances Coke earns the regard of those surrounding the Stewart court as its excesses succumb to Parliamentary discipline.

When I was a child, my father declaimed modern music by observing that it was the discipline of classical forms that allowed composers to create pieces that challenged listeners without alienating them. This seems a suitable metaphor for the structure of Midi’s work.

In both time streams, Berry injects the theme of a woman committed to a natural love with a devoted partner, but challenged in her course by the passionate attentions of an unstable and possessive creative genius. In the Stewart Court, Frances is frustrated in her love by an arranged marriage, albeit to a man who – as long as the forms of the relationship are honored – kindly accepts her devotion to another. In modern Los Angeles, Sarah escapes a political marriage through emigration, and falls captive to the reborn creative genius whose attentions were frustrated by social strictures in the Stewart Court.

The novel evolves through a series of tetes-a-tetes between the romantic interests. Sarah employs the language of modern psychology as a shield against strong emotions, eventually drawing her two competitors – both previously members of a band called Nights of the Road (whence the title, in part) – into collaborative reconciliation. As for Frances, I found myself thinking that her attitudes were entirely too modern, but then realized that so were the attitudes of Beethoven and Brahms. Frances makes a decision early on in the book to believe in herself, and thus speaks her mind honestly throughout, and so perhaps reveals wisdom of the feminine heart that has been long suppressed.

I found myself at times wishing that Berry would bring us into some of the historical experiences discussed by Frances and her lover Robert. However, the emphasis of the book is on transformation of relationships, and there is a lot of valuable relationship modeling in the story line.

The most significant flaw in the story – and this is nit-picking – may be the lack of forecasting of Frances’s mystical ascension as her death nears. For those familiar with such events, this is foreshadowed by the affirmation by a noble protector that Frances’s beauty, compassion and devotion have brought her unsuspected admiration from the royal entourage. Unfortunately, for some the connection may be lost, and so her wandering down the psychic road as she nears death (whence again the title) may seem a little jarring, if not deus ex machina.

But the book’s final chapter is golden. Antony, the creative genius of Nights of the Road, manipulates masterfully Sarah’s emotions, and precious are the lyrics sung as reflections upon her impact on the men that love her.

Berry’s heart-felt tribute to reconciliation and redemption casts light on the challenges of being a muse, and presents wisdom that readers will usefully apply when seeking to understand and deepen their relationships. As the Brits would say: “Give it a go!”

Always Check with the First Guys First

I wrote previously about the awe-inspiring intuition of Douglas Adams (see The Answer to Life, the Universe, and Everything). But today, after posting my blog entry, one of my colleagues pulled the page off his Dilbert desk calendar and came to show me what Scott Adams decided to write about today.

I have this sudden urge to watch that TV show. You know, the one with the lady in the creepy black dress and the groaning butler? Not to mention that cousin with the hair growth problem.

Happy, Happy

I usually spend the Christmas season listening to Sarah McClachlan’s Wintersong, over and over again. This year, I couldn’t put my hands on it. I finally went down to Barnes and Noble this weekend to look for a replacement copy. The clerk shared that there was one copy in the store, but it was on hold. I promised him that I’d be the vulture in the racks in the hope that it would go unpurchased.

Sarah is my favorite muse of the soul. I went to see her live in concert at the Nokia Center a couple of years ago. Part of her way of connecting with the audience is to read notes out of a hat. They were pretty standard party fare, the most scurrilous being whether she goes “commando” on stage. Sarah was really patient.

She had just authorized the use of “In the Arms of the Angel” for the animal rescue centers. During her request that we make a donation to that community, Sarah told us that, much as she would like to respond to our questions, the entire band was wearing ear-plug monitors, and couldn’t hear anything that we were saying.

After the pitch for the animal rescue shelters, I focused my thoughts and said “Thank-you”. She almost jumped out of her skin. It was obvious to me that we share a connection somehow.

Sarah was going through a troubled time. Her husband had filed for divorce, and her children were travelling with the band. The next day I went out to her web site and posted a note to her, saying all the things that I wished I had been present enough to put into the hat for her.

I picked up Mirrorball maybe eight years ago, and it’s been a really powerful tool for me, rivalled in that sense only by Snatam Kaur’s Essentials. Kaur’s work is beautifully devotional, but Sarah gets really in deep with people’s pain. I don’t know how she processes it. It’s like a key for me when I’m in contact with people carrying deep psychic wounds. Even more, Sarah does it without bitterness. Almost all of Mirrorball sees life as a struggle that reveals the hope for grace in all of the participants.

So I offered her my perception that, if she would only recognize the healing forces that swirled around her, she might have some really beautiful experiences.

Last night, I had a strong urge to go back out to Barnes and Noble, and discovered that the CD was back on the racks. Happy, Happy!

I don’t know what possessed Sarah to create Wintersong in 2006. Most pop Christmas albums focus on the joy of the holiday season, but Wintersong is powerfully devotional, and not at all derivative. She sets “Noel” to the beat of African drums, and weaves it with “Mary, Mary” as a spiritual set to lute. “Wintersong” and “Song for a Winter’s Night” are originals that capture so beautifully the bittersweet feeling of being without the one we love on Christmas.

I’m listening now to “Little Town of Bethlehem”, and the rendering of “No ear may hear his coming, but in this world of sin, Where meek souls will receive him still, Dear Christ enters in” still brings tears to my eyes, even after four years of listening.

So what if it’s not party music? I don’t know why it hurts so much, but it’s a gift, Sarah, that I know leads me into the joy of healing.

Thank-you.

The Answer to Life, the Universe, and Everything

When I need to disconnect from the world, I play Runescape (which, believe it or not, I first parsed as “run – escape”). I always play on world 42, which is the “role-playing world”. I don’t know how to role-play (I always think of J. Edgar Hoover), but I play there because of Douglas Adams.

Douglas Adams is the author of The Hitchhiker’s Guide to the Galaxy, a science-fiction satire that was recently mashed up as a movie. The premise of the movie is this: an anxious alien race designs a computer to calculate the answer to “life, the universe and everything!” The computer first calculates the time required to produce the answer, then goes into millenium-spanning hibernation. When the instant arrives, a huge throng of ecstatic onlookers is treated to the result.

42.

Now Adams says that this was a completely random number: just the number that came into his head while out in the garden.

You can imagine our disappointment.

The alien race complains that the answer doesn’t mean anything, and the computer explains that it still has to calculate the question. The mood of the crowd brightens as the computer announces that it will design an even bigger computer to calculate the question.

In the end, it turns out that the computer is the Earth. The hero of the series is ultimately trapped with the representatives of the alien race, manifesting as mice, who threaten to cut open his brain to get at the question.

Now, as a literary critic, I have to say that this entire story line is absurd. The question was already asked: “What is the answer to life, the universe, and everything?” So the problem was that they didn’t understand the answer. The answer is here on earth. So let’s see, what can we make of 42?

Well, 42 = 6 x 7. In Genesis, ‘6’ is the number of man. ‘7’ is the number of god. “seven times six” can thus be read as “god elaborated as man”. In other words, the answer to “the meaning of life” is the little baby Jesus!

Douglas, were you entirely innocent in bringing this wisdom to the world?

Merry Christmas everybody!

Just don’t ask me to explain what this means with in re: the recent book by W and the Clinton presidency.